News from BrandOpus
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CHANGING SUMMER
The Point

GREGGS AND PRIMARK ON A ROLL WITH SECOND FASHION COLLAB
The Guardian

NFTS
The Point

MAX IS BACK
IMO: Emma Byrne

WHY GREGGS COLLAB WITH PRIMARK IS A (MEAL) DEAL MADE IN HEAVEN
The Drum

NETFLIX NEEDS TO SHAKE UP ITS BRAND TO FIND ITS NEXT WAVE OF GROWTH
The Drum

BOOZELESS BUZZ
IMO: Frankie Guzi

WANT TO RULE IN THE METAVERSE? SYMBOLISM IS KEY
Fast Company

HOW DO YOU SOLVE A PROBLEM LIKE... ATTENDING INDUSTRY FESTIVALS
The Drum

TOP CAMPAIGNS OF 2021: HOW BRANDS PUT THE FUN BACK INTO ADVERTISING
The Grocer

HOW 2022 IS SHAPING UP FOR CREATIVITY
Creative Boom

FASHION HUNGRY
IMO: Molly Rowan Hamilton

7 WAYS TO CREATE POWERFUL DISRUPTIVE STORYTELLING
The Drum

THE BIGGEST TRENDS IN GRAPHIC DESIGN FOR 2022
Creative Boom

PLANT-BASED BRANDS NEED TO PRIORITISE EMOTION OVER FUNCTION
Fast Company

THE EXPERT'S VIEW ON FACEBOOK'S MOVE TO META
Transform Magazine

WILL THE PITCH PROCESS CHANGE POST-PANDEMIC?
Ali Dawkins Joins The Drum

MAKING YOUR BRAND’S PACKAGING STAND OUT ONLINE
The Grocer

NOSTALGIA MARKETING IS HOT - HOW BRANDS CAN USE IT
Ad Age

HOW DO YOU GO ABOUT REBRANDING AN AGENCY?
Paul Taylor Chats To The Drum

HOW REBRANDS BOOST THE BOTTOM LINE
CEO Today

COCA-COLA, ANYTHING BUT INTUITIVE
Transform Magazine

THE DWINDLING CULTURE OF CELEBRITY
BITE

WHY THE WEIRD SOUNDING ‘STELLANTIS’ NAME WORKS
Ad Age

SHOULD BRANDS LOOK BACK TO LOOK FORWARD?
Creative Review
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LEARNING START UP CULTURE
Creativepool

WOKE TO BROKE?
Marketing Mag
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WHY BRAND IDENTITY MATTERS IN A RECESSION
Marketing Mag
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WHAT DO DISRUPTORS DO WHEN THEY BECOME THE ESTABLISHMENT
The Dieline